Dancing all the way
“Puraviyattam”
– Review
The narrative is set in a small village where the tradition of Poi Kal Kuthirai has been passed down through generations.
The story follows Arju, a young man torn between his ancestral duty to keep the art alive and the harsh economic realities of rural life.
As the village prepares for an upcoming temple festival, the film meticulously documents the physical and emotional preparation involved in the dance.
However, the “plot” goes deeper than the performance itself—it highlights the systemic challenges faced by folk artists, the loss of agricultural land, and the struggle to find a successor in a world increasingly dominated by digital entertainment.
Director Vinayaga Subramanian adopts a “docu-drama” style that prioritizes authenticity over cinematic flourishes.
His execution is patient and observational, allowing the audience to soak in the rhythmic sounds of the melam and the vibrant colors of the horse costumes.
By weaving real-life interviews with folk artists into the fictionalized narrative of Arju’s family, the director manages to make a strong political statement about the “neglect of heritage.”
In a role that requires both physical stamina and emotional range, Arju is impressive. His transition from a reluctant participant to a proud carrier of the tradition is portrayed with great sincerity.
Simran Advani provides a subtle and effective presence, representing the modern perspective that eventually learns to appreciate the roots of her community.
