Sathya (Abishan Jeevinth), a young man who is skeptical of the arranged marriage process eventually agrees to a blind date arranged by his sister.
In a twist of fate, he meets Monisha (Anaswara Rajan), only to realise they were schoolmates (senior and junior) years ago.
As they reconnect, they embark on a unique journey: they make a pact to find and confess their unsaid feelings to their respective school-time crushes before deciding on their own future.
The narrative beautifully explores whether first love is a memory to be cherished or a flame that can be reignited.
Director Madhan makes a confident debut, opting for a light-hearted, conversational style reminiscent of contemporary hits like Lover.
His execution is breezy, focusing on “simple emotions in a grand way.” He successfully avoids heavy melodrama, instead using humour and relatable “Gen Z” dynamics to move the story forward.
The choice to film in Chennai and Trichy adds a layer of authenticity to the middle-class setting, making the characters’ journeys feel grounded and sincere.
After directing the blockbuster ‘Tourist Family’, Abishan Jeevinth makes a smooth transition to the lead role.
He plays Sathya with a natural, understated charm, effectively portraying the confusion and eventual clarity of a man navigating past and present emotions.
Anaswara is the film’s standout. As Monisha, she delivers a bold and expressive performance, representing the “modern backbench girl” with a refreshing level of agency and wit.
The ensemble is strong, with Harish Kumar and Kavya Anil providing excellent support.
Theni Murugan and Saravanan add veteran weight to the family scenes, while RJ Ananthi and Sacchin Nachiappan bring infectious energy to the friend-group dynamics.
Sean Roldan’s soundtrack is a highlight, featuring soulful melodies and a background score that perfectly complements the film’s nostalgic tone. The music acts as a catalyst for the emotional beats of the story.
Cinematographer Shreyaas Krishna uses warm, comforting visuals to capture the beauty of everyday moments.
His lighting choices during the school flashback sequences effectively evoke a sense of “longing.” Rest of the technical aspects of the movie help in keeping the audience engaged.
