A political rollercoaster
‘Sakthi Thirumagan’
– Review
The narrative follows Kittu (Vijay Antony), a young boy abandoned after a family tragedy. Raised by a kind stranger, he grows up to be a political broker who operates on the fringes of the system.
His past, however, continues to haunt him, pushing him towards a path of revenge against the man responsible for his mother’s death.
The film cleverly intertwines this personal vendetta with a dissection of power dynamics and political corruption, positioning Kittu as a survivor and a challenger to systemic injustices.
While the plot starts with a gritty, realistic tone, it eventually transitions into a more conventional hero-versus-villain conflict.
Director Arun Prabu brings his signature style of layered storytelling to this film. The first half is a standout, meticulously explaining the inner workings of political brokerage with a steady pace and a gripping screenplay.
The film feels well-researched and grounded in reality, drawing from current political discourse.
However, the second half loses some of this unique momentum. It deviates from the political thriller genre and settles into a more predictable mass entertainer format, which is a missed opportunity given the strong foundation of the first half.
Vijay Antony delivers a commendable performance as Kittu. He effortlessly carries the complexity of a character shaped by tragedy, showing a commanding screen presence.
His portrayal of a man who is both a victim and a manipulator is one of the film’s biggest strengths.
The supporting cast includes Vagai Chandrasekhar, Sunil Kripalani, and Cell Murugan, who add depth to their roles. While the main cast is solid, some of the supporting characters could have been developed further to make a stronger impact.
Vijay Antony, who also composed the music, provides a fitting and engaging score that complements the film’s intense mood. Cinematographer Shelley R. Calist, a regular collaborator with Arun Prabu, captures the narrative with a polished and impactful visual style.
Raymond Derrick Crasta’s editing keeps the film moving, though the second half’s shift in pacing is noticeable. Rest of the technical aspects of the movie are commendable as well.
Rating: 3.7/5
By Naveen
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